Ok, you can look through my post history and see that I am seldom negative about the park. I did not have problem with the addition of the sundial in Pompeii, in fact I liked it, and still do. I didn't have anything either way to say about Illuminights. I have nothing to say about Howl-O-Scream this year, other than I am sad they painted an iconic Busch Gardens landmark. I don't have a problem with the theme or concept used for Howl-O-Scream in this hamlet, but they could have gone without painting a historic building in the process. I love what the park did with France this year. I am one of the few people who actually liked Entwined when it re-debuted at the start of the season. I was not up-in arms when Le Mann's Raceway we replaced with Griffon. I did not have a problem with an automobile themed roller coaster going into Oktoberfest. I don't even have a problem with London Rocks coming to the Globe Theater. The park has a long history of shows that don't fit inside their hamlets; I won't list them here as others have.
Now, I don't really post all that often anymore and really stick more to the administrative portions of the ParkFans Network, but Banbury Cross is very, very special to me. In fact it is my favorite hamlet in the park. When you hear someone say "Busch Gardens" what is the first thing that comes to your mind? For me it is Banbury Cross, Elizabethan England, and "Big Ben," which was never intended to be a reproduction of Elizabeth Tower at the Palace of Westminster, it’s just the nick-name given to the Banbury Cross clock tower by the villagers that live there.
Banbury Cross, or England as they choose to call it now, sets the entire tone of the park when you enter it. Unlike Disneyland/World, Kings Dominion/Island, and countless other parks around the world you are not greeted with a large imposing entrance plaza and loud fanfare music; no, you walk down a densely wooded path with a babbling brook as if you are on a journey from a faraway place. On this journey you come across a 16th Century village in Oxfordshire in southern England where you have the pleasure of exploring quaint shops of this beautiful cobble-stoned village. You can hear the sounds of George Fredrick Handel’s Water Music Suite which although is from the Baroque period and not the Elizabethan period still fits the village perfectly. The sights and sounds aren’t imposing and put you in a relaxed mood and set you up for the rest of your casual tour through Olde World Europe. Banbury Cross is the quintessential representation of what atmospheric themeing should be for an immersive attraction such as a theme park.
Though I love the music played throughout the park and its hamlets, and have made it my mission to own every track of atmospheric music played in the park during its main season, the soundtrack of Banbury Cross has fostered a deep love and appreciation for classical music that started with me has a small child. I must have been 6 or 7 at the time and would beg my parents to tune the radio to WHRO, the classical music station in Hampton Roads, and would sit at the old beige boxed PC we had with a Microsoft Encarta CD-ROM and play the wav sample of “Water Music Suite in F major – Hornpipe” on the George Fredrick Handle article over and over again.
I have known about the proposed retheme of Banbury Cross for a very long time and when I originally heard about it I lost sleep for a couple of days. If the plan is indeed to transform this quaint English village into London then you will need to bulldoze the entire hamlet and start from scratch, because it was never intended to be so. You do not enter London from a quiet wooded road. You cannot turn the Banbury village clock tower into Elizabeth Tower. You cannot turn the adorable 16th Century village of Banbury Cross into 20th Century London with buckets of paint. Not only do the existing structures not translate into London, but the entire theme and style of this project destroys what it means to be Busch Gardens Williamsburg. Put your London Rocks show in the Globe, and even mount a loud, 60s Rock and Roll, Union Jack styled sign over the doorways to the Globe Theater, but do not touch the hamlet itself.
Banbury Cross holds a very deep, emotional, and special connection with me that though very difficult to explain I have tried to form into words today. I will end with these words: I do not approve Mr. Gasparich. I do not approve at all. This act alone has and will forever ruin Busch Gardens Williamsburg for me.