I think something the park does very well is bringing guests into these super tight spaces, and then opening up, and then closing it again for another reveal.
For example, in England upon entering the park there's just a quaint little fountain as the center piece, and the rather dull guest relations off to the right. It's a very small and tight entrance, very underwhelming in a sense, you then turn a corner slightly and go under the archway to then enter a large, open area, England, with lot's of movement and sounds and shops. Another example of this is Germany. If you don't take the classic short-cut through the snack stand and enter through the traditional entrance, we're greeted with a small little archway and then get to travel through a tight and charming German village. We then turn a corner and go underneath an archway to be shown a massive clock and fountain. Another classic example is Das Festhaus. The outside is this incredibly detailed facade with authentic paintings and stained glass. We enter under these tight archways, to be given a view of a small store and bar, and then go underneath another archway to be given a grand reveal of the whole eatery in a astounding way. There's a village facade lining the walls, a stage with props on it in the center, and a lot of movement between guests with the actual eatery and the Brauhaus, allowing us to feel like we're in somewhere alive. It makes these romanticized versions of Europe found in the heart of South Eastern Virginia seem so real.
The idea of small space to big space, to make an area seem more grand, is a classic theme park trick that dates back to the orignal theme park, Disneyland. When you enter Disneyland, or any of the kingdom parks world wide, you're greeted with just the train station and a floral display, where is that castle? We've seen it on all of the advertisements and waited months to be here, where is my grand reveal? We then have to turn a corner, go through this tight tunnel, take another turn, and then the views unravels and the sightline opens up as the castle and main street come into view in an incredibly overwhelming and powerful way. People are crying kids are laughing Main Street is hustling and bustling, this moment is going to be engrained in your memory forever, theme park nerd or not. This technique of small space followed by big space is still used regularly today across the industry. At the various Harry Potter lands, when we enter all we see is the bare bones Hogsmeade arch, and then we enter into this humungous area with lots of kinetic energy and this enormous castle beckoning us in to explore and go deeper. Universal even improved on this idea with the Diagon Alley facade, tricking guests into going, hold up, where is this new Harry Potter land we were promised? All I see is this two-dimensional London facade, it looks nice, but it's not Diagon Alley. You're forced to think as a guest and find the almost hidden entrance to then be greeted with a grand reveal. Disney is even still using it today with Star Wars Land. We enter through this tight tunnel, followed by a winding walk, for it to slowly turn into this grand reveal of Batuu. It's a clever way to save space and make parts of the park seem larger than they are by only allowing us to view them one at a time. It separates the areas into these distinct, memorable places that we can remember, and it makes them feel colossal at times compared to their actual size.
As mentioned in the 40th anniversary documentary, the park is also at such an advantage with it's natural landscape. No other park in North America at least is going to be built in the style of BGW with hills, rivers, streams, sky rides, trains, and all these massive kinetic machines surrounded by such raw, natural landscapes. The park doesn't feel like it's just a continuation of the flat parking lot nearby, as many parks do, it feels like an organic experience, like they designed the park around the pre-existing landscape. So much of the beauty found in the park was already there, they just took the natural Williamsburg landscape and integrated the park into it. Yes, the landscaping was much better years ago, it still looks great, when the landscaping department isn't furloughed, but it only compliments what's already there. They could just give up and the park would still look gorgeous with all of the trees and natural valleys separating the hamlets. The park didn't do any of that, it just happens to be their courtesy of mother nature. The actual landscaping, flower beds, and shrubbery only pales in comparison to the beauty of the untamed wilderness that is the heart and soul of this park.
This park is a hybrid of theming and landscaping that few places come even close to. It uses quaint little hamlets followed by beautiful scenery, which is a mixture of maintained landscaping and natural beauty. Parks like Epcot and DAK are beautiful in their own right and are definitely contenders for the award, but they feel like beautiful themed parks. The land was always barren and flat, Disney had to go in and beautify what once was Orange Groves into their desired environment. BGW feels like more than that, there could be no rides, no theming, and this could simply be a park with some dirt hiking trails in Williamsburg, and it would still be what it does best, a beautiful park. It's just a bonus that there happens to be a highly themed park on top of this land.