Register or Login to Hide This Ad for Free!
RE: #KD40 - On Stage

Ehh, this show doesn't seem like my thing. It reminds me of LR in a lot of ways. But I'm not interested in the shows at KD, so it doesn't sting as much.
 
RE: #KD40 - On Stage

This show struck me too as the London Rocks of KD. But, as a park not currently known for their entertainment offerings, I would say that is a good thing. I would be lying if I said London Rocks was not a big or flashy production, and I think a big and flashy production like this is exactly what KD needs to help kick-start their progression into a stronger focus on entertainment.

See, London Rocks taken on its own terms is a strong production, although it is very strange. It just doesn't have any place at Busch Gardens, nor do its flashy elements. KD40 On Stage is actually a big and flashy production. But right now, Kings Dominion needs that. Entertainment has taken a backseat to rides for decades, with nothing more than your average lackluster theme park music revue show in the Kings Dominion Theatre. On Broadway sort of broke that trend, but I do see this show as showing effort for the park taking a big leap with entertainment. Back in the Golden Years, lots of flashy shows like this were played in what was then the Mason-Dixon Music Hall. I mean, considering the fact KD's entertainment offering don't have a very high standing currently, isn't it a good thing that their shows are comparable to one of Busch Gardens' shows?

Now, would I gripe if a show like this were played at Busch Gardens? Possibly, because a show like this has no place at Busch Gardens, which is part of my issue with London Rocks. Do I have a problem with it here? No, I actually don't. As I said, the park needs a show like this to really get it out there that the park is serious about the entertainment offerings. Plus, the flashiness of this show really fits the park better than it does Busch Gardens. Quite honestly, the feel for the show actually fits the type of park that Kings Dominion currently is. To be honest, I think Kings Dominion could use some of Scott's glitter.

Also, London Rocks has lots parts that are just plain weird, if not creepy. There was no part in this show that physically creeped me out.

As far as the show goes, here are some of my thoughts:

The show is very well-produced, much more so than I have ever personally seen any show at Kings Dominion produced. It is a very full-fledged, all-out show that for once doesn't feel like they took the "minimalist" approach. The combination of sets, scrims, and an actually decent backdrop mixed with high-quality vocals, numbers, and choreography is a great change to see. The show certainly has some strength to it.

The cast is very strong, and I would venture to say it's stronger than On Broadway's cast. Last year, there were some really strong singers, but there still were some bad seeds in the mix. Everyone here sounds really strong and high-quality with a good voice, and some are exceptionally good.

As far as music choices go, it ranges from modern music to older music to music mainly meant as inspiring pieces. The show is indeed a "journey through the decades" type show (as explained by the mushrooms), so that theme ties the music in. I do think there is too much modern music in there, though ("Best Day of My Life" and "Happy" are both extremely annoying popular songs), and assuming this show returns for the second year of the celebration, those songs will have fallen out of popularity and the show will have to be rewritten in some way with new songs, or it will play outdated songs that nobody really wants to hear anymore. Also, I was hoping there would be some Journey in there. The theme of the show is how far you can get with an idea and a dream, so I was really yearning for a "Don't Stop Believin'" number. But oh well. I will say, the ways they incorporated different elements and areas of the park is pretty clever.

The mushrooms are a really clever transition from scene to scene. The explain what the audience is going to see next, with some humorous dialogue in between. (This is done because the performers wear different outfits from each scene, and all of the performers participate in each scene, so it is a good way to fill the time.) Also, while their dialogue is cheesy, the mushrooms were somewhat hilarious. I literally laughed out loud when the girl said to them, "Alright, be on your best behavior, or we'll banish you back to the storage yard!" which was followed by gasps from the mushrooms. There were a few other references to being "locked away in the storage yard" in there, and such references are really satisfying for some reason. The biggest thing about the mushrooms is that they're really just used as a time-killer, instead of actually being a key point of the show. Also, the mushrooms interact with their puppeteers. LR does the opposite of both of these, which is why the puppets aren't a failure here. The LR puppets are a big part of the show, and are almost scary.

The lighting system, the scrim, and the projections are pretty neat. They enhance the show, but they aren't the focus of the show like at a certain show elsewhere. It's nice to see such touches and care being put into the show here.

I love shows with audience participation, and this show does that pretty well. There is the scene where the mushrooms test the knowledge of audience by giving various TV themes from the 90's, and later the audience is invited to "dance" in their seats (more like swaying side to side, clapping, etc.) with the cast while a cast member teaches one of the dances other performers roam the aisles.

Still, other than the annoying overdose of modern music, I hope there are some changes made to the show for next year. The segment with the mushrooms where the audience has to guess what TV theme they are dancing to drones on for far too long. I mean, I'm all for audience participation, but it really kills the continuity of the show and seems kind of unnecessary. It sort of feels like they just tried to jam that piece of the show in there when it doesn't really fit, so when they transition from the "Baywatch" to the WaterWorks scene it's kind of like "Huh? Oh yeah... we're watching a show." There is reason the mushrooms need to take that long. Maybe a few theme songs could be cut or something to shorten this segment. If this, and the overabundance of modern music, are somehow rewritten for next year, then the show will be much better.

Anywho, that is my little review of the show. It's not 100% perfect, but as I said, it's a strong production with a great cast, and a big production like this is just what the park needs. I certainly hope this is a sign to expect big things from the park's entertainment department in the future. It's about time entertainment starts to be like what it was back in the Golden Years!
 
RE: #KD40 - On Stage

Here are some pics I took from Sunday.

That guy with the puppets looks familiar...
 

Attachments

  • 2014-06-15 18.58.56-2.jpg
    2014-06-15 18.58.56-2.jpg
    1.6 MB · Views: 70
  • 2014-06-15 18.35.58-1.jpg
    2014-06-15 18.35.58-1.jpg
    1.3 MB · Views: 58
  • 2014-06-15 18.32.13-2.jpg
    2014-06-15 18.32.13-2.jpg
    1.9 MB · Views: 46
  • 2014-06-15 18.44.17-1.jpg
    2014-06-15 18.44.17-1.jpg
    1.4 MB · Views: 45
  • 2014-06-15 18.48.11.jpg
    2014-06-15 18.48.11.jpg
    858.9 KB · Views: 64
RE: #KD40 - On Stage

The guy with the puppets is yet another performer from BGW. But can someone remind me which show he was in?
 
  • Like
Reactions: wombat96
RE: #KD40 - On Stage

Matthew said:
The guy with the puppets is yet another performer from BGW. But can someone remind me which show he was in?

The guy holding the 2 mushroom puppets in the photo above is one of the 2 guys that performed in last year's "On Broadway" show at KD. He performed in this year's "Hit List" show during the spring and transferred to over for the KD40 show at the end of May. [The other guy from last years show is the one kneeling in the center of the group photo. The one returning girl is the person standing on the far right of the same photo, with the short hair. If you have seen the still photo the park has used in advertising with the "A Chorus Line" set, she is the one front and center.]

The guy you are talking about might have performed at BGW in 2011 or earlier. Someone told me this person lives in the southeastern Tidewater area of VA. I guess that would mean Newport News, Hampton Roads, Norfolk, or VA beach areas.
 
  • Like
Reactions: Zachary
RE: #KD40 - On Stage

We sure live in a crazy world where KD is stealing performers from BGW...
 
  • Like
Reactions: wombat96
RE: #KD40 - On Stage

Somebody posted a very well done video of the show to Youtube. Based on the other videos she has posted to her channel, it looks like she may be (or may have been) a performer at Kings Dominion.


My favorite part of the show is the Safari Village/African scene (despite my absolute hatred for Ke$ha), which actually reminds me of Iceploration at BGT in a lot of ways. It starts at 5:24 if you want to check it out.
 
  • Like
Reactions: wombat96
RE: #KD40 - On Stage

RWS & Associates posted an interview of Amy from KD40 On Stage. Amy was the female performer who held the mushroom puppets in the "90's" scene, and was the one female performer in KD40 On Stage who also performed in 2013's On Broadway, and has apparently been in many other shows at the park.

RWS & Associates said:
Amy 'DK' Kaeberle, originally from Richmond, VA, is thrilled to have just completed her first contract with RWS and Associates in the opening cast of #KD40: Onstage at Kings Dominion! She was especially excited to perform in this show at the park, after being featured in various shows at KD over the past few years, including On Broadway, Uprising, Signed Sealed Delivered, and Disturbia, as well as Dora's Sing-a-Long Adventure and Meet the Nicktoons. Previously, Amy had a blast traveling the US and Canada as a dancer/understudy for the Elmo Makes Music Int'l Tour with VEE Corporation/Sesame Street Live. She most recently resided in Orlando, Florida where her theme park credits include the Superstar Parade (Universal Studios Orlando), Slime Time Live and Double Dare Live (Nickelodeon Suites Resort), Elmo and Abby’s Treasure Hunt (SeaWorld), and SeaWorld's Christmas Celebration (Odd-O-T's). Besides performing, Amy has choreographed several shows such as Street Beats (MoonMaxx Productions), Peanuts Rockin' Party and Charlie Brown's Allstars (Kings Dominion), along with numerous musicals, show choirs, and pieces at performing arts schools across the Richmond area. Currently, Amy is enjoying the beach and rehearsing as a dancer for Sounds of Streisand in the beautiful Provincetown, MA!

Favorite Broadway Show: As well as favorite movie, favorite Disney, etc...PETER PAN (Can't hold back the tears when they start to fly!)

Dream Role: Victoria in Cats (Amazing choreo + unitards + rolling around on the floor + being a crazy cat lady = EVERYTHING!)

Which Broadway star inspires you (past or present): Bob Fosse. I haven't had the chance (YET!) to be in a Fosse show, but I'm so inspired by the precise style of dance that he created and inspired in his years. He took what could have been a major physical restriction on his own body and turned it into a complete style to live on as a legacy in the dance world, much past his time. Any story that I've read or heard about him just amazes me.

Most embarrassing stage moment: I had the wonderful opportunity to perform for a year at the Nickelodeon Suites Resort in Orlando. Dealing with slime and pie and 'mess' was a constant in our shows, AND I LOVED IT! However, I do remember one particular time while performing as a 'Team Nick' member in Double Dare Live where the stage had been covered in slime for a game, and we had 'cleaned it up'....yet there was an invisible slick spot left. When I walked across it, I completely wiped out dead center stage. The audience applauded when I got up. Haha!

Proudest stage moment: Any closing show! There is such a magical energy about closing a show with a group of amazing and talented individuals who, by their final performance, have worked together for weeks or even months, maybe traveled the country or world together, and have grown so much as people and performers. The support from each other and the audience at a closing show, as well as the excitement and nervousness about 'what's next' absolutely thrills me.

You are now the proud owner of an RWS Golden Ticket and you can officially #skipthewait at any of our scheduled auditions!
From everyone at RWS & Associates, we would like to thank you for all of your hard work this summer and for showing everyone that… performance is everything!

Note to staff: Because this information was already posted publicly and this was indeed a public interview, I figured this would be safe to post in compliance with forum rules. If this is an issue, please feel free to remove this post.
 
RE: #KD40 - On Stage

I wonder if in 2015 that the Kings Dominion Theater returns to it's original Mason-Dixon Music Hall name, would it be possible?
 
Consider Donating to Hide This Ad