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Jun 23, 2023
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Well this ride completely took me by surprise. The ejector on this thing is absolutely bonkers.

I’d always defend Apollo’s Chariot and say that B&M were still figuring things out when people would say the airtime is too mild. But now I’d say Busch Gardens specifically ordered a more mild ride. Because Raging Bull seriously delivers. It’s gotta be up there as one of my favorite B&M hypers. Need more time to digest but wow!
 
Raging Bull is incredible tbh. I'm surprised B&M never tried again with a twister style hyper layout.
I agree. I almost wanna say I prefer this style over the classic continuous airtime hills that B&M ended up sticking with. It’s just so dynamic and any park could fit a twister like this into their layout.
 
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Now all it needs is a fresh paint job!

Happy Gilmore Win GIF

Much, much needed! Can't believe this gets new paint before Nitro🤣 Wonder if they'll change the colors or just opt for a fresh coat of the current colors.
 
Raging Bull is incredible tbh. I'm surprised B&M never tried again with a twister style hyper layout.
Had they been asked to, I'm sure they would have.

Reception for Raging Bull at the time of its debut was pretty mixed, with its deviation from the standard hill-after-hill hyper concept seemingly demoting it to second-tier status in the eyes of many. The thoosie crowd was only a small (if vocal) cabal, but both the general press coverage arc and the ride's perseverance in the public conscience seemed rather tepid in comparison with the more traditional hypers of the time. I'm not sure people really knew what to think of it. It was a genre-bender and I remember a lot of people saying it didn't do either genre particularly well. (That opinion didn't age well IMO.) Given that general reaction, I'm not surprised B&M never built another one.

I didn't get to Raging Bull until 2012, and was absolutely floored by how much fun it was after years of hearing mixed reviews. Sometimes people are just wrong.
 
I'm not sure people really knew what to think of it. It was a genre-bender and I remember a lot of people saying it didn't do either genre particularly well. (That opinion didn't age well IMO.) Given that general reaction, I'm not surprised B&M never built another one.

There are a few reasons we've never seen another B&M hyper twister. First off, Raging Bull was B&M's answer to the first ever hyper twister – Togo's Fujiyama at Fuji-Q park in Japan. That coaster received a ton of fanfare when it opened, not only for its unique layout being the first hyper twister, but it also destroyed hyper coaster records for height, speed and length. When Raging Bull opened it was immediately compared to Fujiyama and it didn't live up to the hype as it was nowhere near the height, length and speed and had half the airtime moments of the original. It also didn't help opening immediately after Apollo's Chariot which received a lot positive press coverage being the first B&M hyper and having a traditional out and back layout. Then the following hyper twister installations of Giovanola's Goliath at SFMM and Titan at SFoT had lukewarm receptions as well and were overshadowed by the opening of Nitro at SFGAd around the same time. Goliath and Titan were pretty much the nail in the coffin for seeing another B&M (or any other company) hyper twister being built in North America.
 
^ There was one repaint in the past (2008-2009?)

I really hope they keep the scheme.
Adds up that I didn’t notice this one as 2008 was when I was tall enough to ride it (read: convinced my parents to buy me Skechers with 1” heels) and had only been to the park once in 2006 beforehand. Still, 16-17 years is insane for one of the park’s headlining coasters.
 
Slightly interesting mini-story about Goliath and Titan. When Titan was announced for SFoT, I happened to chat with a ride-supplier executive whose reputation for being a raging [unpleasant person] somewhat belied the fact that he was really only like that most of the time.

I lamented to him that Giovanola had decided to graduate from an Intamin (and B&M!) subcontractor/fabricator/etc. to a full-fledged, all-singing, all-dancing ride supplier by moving directly into B&M's competitive space while blatantly becoming the closest possible thing to a B&M visual copycat, presumably without indisputably infringing on patents or otherwise becoming too easy to sue. The track construction in particular, one of the most visually striking aspects of any roller coaster, looked from a medium distance like a direct ripoff of B&M. Exact? No, but incredibly similar.

Never mind that Messrs. B&M had in fact become fond of their signature track construction as Giovanola employees before starting their own company, making it not only reasonable but likely that Giovanola would reuse that earlier version of the box beam design someday, etc., etc. To a younger and more ideological observer it was all still a particularly galling thing for Giovanola to do, even in a competitive industry packed with tales of galling things. They went right into the hypercoaster space with rides that to a casual observer looked damned near identical to B&M's, as long as one didn't really notice the trains. A trash move, I felt, perhaps reflecting the influence of those simpler times.

I braced for the inbound rage typical of that guy. He was going to ask me who the hell I was to decide exactly where the line ought to be drawn between smart competition and "cheating." He was going to go on and on about it. Why did I even talk to him?

But instead of barking the usual invective, he became uncommonly quiet, which is to say he spoke at a normal human volume: "You'll notice that after Texas they didn't sell anything else." This was interesting because Titan hadn't even started going vertical in Texas yet. But he seemed sure enough about his statement that he was already talking about Giovanola in the past tense.

Shortly after Titan opened, I reflected on that conversation when Giovanola's rides division filed for bankruptcy. The rest of the company followed within a couple of years. And this guy clearly knew about their looming crisis well in advance.

The amusement industry is a very small world where everyone knows a surprising amount about everyone else.

That whole arc also seemed to explain why B&M, who might otherwise have sold at least two more hyper-twisters, were nonetheless more outwardly annoyed by one or two other ride suppliers than by Giovanola...
 
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